
And the festivities can finally unfurl on a totally completed site. This year, 10 stages, 30 series, hundreds of free concerts and a panoply of activities will be harmoniously integrated and spread throughout the beautifully realized environs of the Quartier des Spectacles. The three main stages of the Festival are now ideally located and spaced, offering Festival fans ideal access and acoustics. Whether relaxing on terrasses and in bistros, including the new enlarged Terrasse Balmoral, or navigating the musical eddies between the many stages, Festival fans can stretch out and savour the magic of this massive musical celebration with thousands of new jazz friends!
Once again, as in every year, three major must-see events gather the multitudes for unmitigated mass-scale musical happiness on the free outdoor site on the Place des Festivals. To kick everything off, the TD Grand Opening Event withRufus Wainwright, presented in collaboration with SiriusXM, takes over the TD Stage on Thursday, June 28 at 9:30 p.m. At the mid-Fest point, on Tuesday, July 3, Tuesday Night Fever breaks out on the Place des Festivals during the Grand Special Event with Brooklyn group Escort. The festivities come to a perfectly danceable conclusion on Saturday, July 7 with the irresistible rhythms of Chromeoin the Rio Tinto Alcan Grand Closing Event.
The prestigious Performances TDseries shares the main stage with the three Grands événements at 9 p.m., and again at 11 p.m. On June 29, discover the mad project helmed by young vibraphonist-percussionist-conductor Brian O’Neill: Mr. Ho’s Orchestrotica, unleashing a 22-piece Big Band on the bizarro-kitsch repertoire of cult experimental-lounge composer Juan García Esquivel. Captivating Montreal singer-songwriterIan Kelly takes the baton June 30 with his 3rd pop-folk album, Diamonds & Plastic, orchestrated by pianist Jon Day. Eight years after her first and only performance at the Festival, the charming and lucid Souad Massi and her pure voice catch up for lost time on July 4, transporting us with the gentle North African, folk and flamenco sounds of her latest album, Ô houria. The next evening (July 5), the 9 Hungarians ofBesh o droM, man both the cimbalom-the hammered dulcimer at the root of Hungarian folk-and the scratcher’s turntable, ably demonstrating how well the traditional music of their country can integrate a new millennial groove and a flavouring of jazz improvisation (also July 4 on the Rio Tinto Alcan stage).
On the same stage, at 6 p.m., we welcome the artists of theGammes TD series. Start with TheChris Tarry Group July 1, starring much-lauded bassist Chris Tarry, 2008 Juno winner for Best Contemporary Jazz Album forAlmost Certainly Dreaming, who returns to the Festival with Rest of the Story, a CD-book showcasing his talents as a composer and… author. Karl Jannuska, the hottest Canadian drummer on the jazz scene, makes a highly-anticipated return after an 8-year absence on July 4 to showcase his newest gem of modern jazz, The Halfway Tree, featuring excellent Canadian singer Sienna Dahlen. On July 6, the Blues Camp Graduates concert presents the fifty young musicians, aged 13-17, who had the opportunity to participate in this extraordinary free musical day camp.
Back on Ste. Catherine St., the Rio Tinto Alcan Stage allows Fest fans to enjoy incomparable access to the concerts in the Soirées jazzy Rio Tinto Alcan series at 8 p.m. and10 p.m. Three concerts in this series will be presented at exclusively at 8 p.m.: June 28, brilliant young Montreal singer-pianist of Haitian extractionMarie-Christine unfolds her subtle musical proposition of jazz, soul, pop and R&B in a Festival debut. On July 3, Fest fans welcome an exceptional artist at the height of his artistic powers: Malian singer-guitarist Sidi Touré, here to present the danceable, festive songs of his latest album, Koïma. The festivities continue July 7 with Osaka Monaurail, a joyous band of Japanese musicians who’ve been burning up the world’s stages for 20 years with their irresistible cocktail of Japanese funk!
With summer vacation barely begun, it’s time to head back to class with the entire family for La
Petite école du jazz(Little School of Jazz), presented by Rio Tinto Alcan every day at 11 a.m. and 1:30 p.m., from June 28 to July 7! A quintet of vocal harmonies (Les Zélèves) headed by Victor-Jacques Ménard, alongside James Gelfand and his quartet and, of course, our Festival mascot, Ste-Cat, are ready to welcome students back to a jazz lesson that’s perfect for the whole family, with a musical initiation that’s dynamic, interactive and just plain packed with smiles and fun! Immediately after, at 3 p.m. on June 30, July 1 and July 7, families can keep the festivities going and stretch their legs to music at the Musique en famille avec les ateliers Samajam, a playful percussion workshop presented by Rio Tinto Alcan, principal partner in the Samajam stay-in-school project since 2011.
From rising stars to confirmed standard-bearers, the blues will be in the house on the Loto-Québec Stage!
At 7 p.m., the absolutely essential Spectacles blues Loto-Québec series welcomes young blues rock prodigyJustin Saladino (June 28), one of the winners at the 2010 Montreal Guitar Grand Prix, in a trio with Khayman McColgan (drums) and Hans Blichert (bass). The next generation of blues continues to shine on June 30 and July 1 in shows by genuine phenomenon Jamiah on Fire & the Red Machine: three members, average age 14, masterful guitar riffs and voices already bristling with the full maturity of true bluesmen! On July 3, fans can discover They Call Me Rico, the new solo project from Madcaps singer Frédéric Pellerin, who delivers a resolutely blues-rock sound along with successful reinterpretations of a songbook ranging from Paul McCartney to Keb’ Mo’, along with his own compositions.
A little later, at 9 p.m. and 11 p.m., Les Soirées blues Loto-Québec usher in a series of peerless players, including winner of the 2011 Toronto Blues Society Talent Search Award, Bradleyboy MacArthur (July 1), who rollicks and rolls in to yank the blues onto the dancefloor with his guitar, banjo, harmonica, suitcase bass drum and various instruments of his own making. On July 3, singer, author, composer, guitarist, arranger and producer Mike Goudreau celebrates two decades of making music with his Boppin’ Blues Band and new album, 20 Years of Blues & Bop. The series concludes July 7 with The Bart Walker Band, in which young guitarist and virtuoso bluesman Bart Walker, winner of the prestigious Albert King Award, unveils the colours of his band’s debut album, Who I Am.
Festival fans: dance under the noonday sun at 8 p.m. in the Tropiques Bell series! Living up to their rep as
a non-stop dance machine, New York combo The Sway Machinery make their Fest debut on June 30, slinging a highly combustible blend of Jewish music, world music and funk. On July 3, Radio-Canada’s 2009 world music discovery,Wesli, makes his 3rd visit to the Festival with brand-new album Liberté dans le noir, shakin’ and stirrin’ an irresistible cocktail of Afro-beats and reggae. The dancefloor will barely have time to cool down beforeLa Chiva Gantiva, a collective bearing the united colours of Colombia and Belgium, fires up July 5 with a passionate musical proposition of funk accented with Yiddish music, as heard on their sparkling debut album, Pelao.
The evening continues at 10 p.m. with the Groove Bell series, opening withHess Is More on June 28. Catch jazz drummer and mad composer Mikkel Hess, surrounded by an orchestra of percussionists and unleashing his playful, heterogenous and way-danceable sound for maximum groove. On June 30, Montreal trio Plaster, combining the talents of keyboardist Alex MacMahon, bassist François Plante and drummer Jean-Phi Goncalves, presents its latest album, the aptly-titled Let It All Out, on which their groovy electro-jazz sound is vitaminized with a booster shot of rock. After hiking all over Europe for the past 7 years, François & the Atlas Mountains, first French artists to sign with estimable English label Domino, descend upon the Festival July 2 with E Volo Love, an album that digs into the “pocket symphonies” of Yann Tiersen and the cosmopolitan folk of Beirut, while also mining a seam of Afro-pop. California collective BlackMahal, led by colourful percussionist and singer Ustad Lal Singh Bhatti, closes out the series July 7 with an alloy of hip hop and Punjabi music (and jazz and funk), a “turban groove” that brings us the best, most enthusiastic version of “culture shock”.
The night unfolds with the Brunantes CBC/Radio-Canada series at 8 p.m., in the company of a number
of musicians nominated for the TD Grand Jazz Award and the Galaxie Rising Star Award. On June 30, brilliant young Irish guitarist Mark McKnight-heard on the excellent album Do Or Die, where ’50s references and the hushed ambience of Chet Baker or Chico Hamilton radiate an absolutely contemporary freshness and vitality-performs with his trio. On July 5, the 7 Django Reinhardt devotees inGypsophilia return to the Festival to spin out gypsy jazz with a plethora of influences, showcased on their 3rd album, Constellation, released in 2011. They’ll lead up to theSamuel Blais Quartet on July 6, in which the Québécois saxophonist, one of the primo virtuosos of the new generation of Montreal jazz (winner of the Opus Prize for Best Jazz Album of 2010-2011), rejoins us 3 years after his Festival debut.
Musical encounters don’t get any better than the ones we introduce at 10 p.m. in the Rendez-vousseries. Re-connect with one of the most sought-after pianists on the Québec jazz scene, renowned for his finesse on the ivories: Vincent Gagnon, here June 29 to present his 2nd album, Himalaya, a crossroads of jazz and impressionist music. On July 2, set sail with Guadeloupe native and adoptive Montreal pianistSylvain Ransy and his trio, celebrated on the local jazz scene for original compositions nourished equally by the influences of Keith Jarrett, Oliver Jones and Oscar Peterson, and by Caribbean sounds. It’s another Festival debut on July 4 with adventurous Italian violinist and composer Luca Ciarla and his Quartet and a sparkling repertoire blending jazz, classical music and European folklore with electronica flourishes, as heard on the album Fiddler in the Loop. On July 6,Frank Lozano, a leading saxophonist on the Québécois jazz scene with a reputation that soars far beyond our borders, returns accompanied by his Montreal Quartet to present his latest, Destin.
Festival fans, come on down to quench your thirst… for music, in the Lounge Heineken! At 5 p.m. and 7
p.m., The Record Company, a primitivist blues-rock orchestra from the City of Angels, plunges the crowd into a ’50s vibe on June 30 and July 1. July 4 and 5, gather ye penitents for a gospel experience that breaks with all established dogma when secular Montreal ensemble the Irreverend James and the Critical Mass Choirsings “Hallelujah”. The week of music concludes with the Howlin’ Hound Dogs on July 6 and 7, keeping the mighty flame of rockabilly burning brightly on the streets of Montreal and ensuring that the DA hairdos and country-rock rhythms of the mid-20th century never fall out of fashion!
At midnight, nighthawks flock from all directions into L’Astral, where the Open House series welcomes them until the wee hours. Heating up the dancefloor from the get-go, the hottest Franco-Anglo duo on the Montreal reggae/dub scene, Ghostbeard & Poirier, take over the wheels of steel from June 28 to July 1 with the beats that shake the walls of their Sud-Westsoirees. From July 2 to 4, get ready for a different kind of sound system: the Jazz Amnesty Sound System, conceived by DJs Andy Williams and sweet dady luv, and dedicated to lovers of jazz in all its forms and subgenres, from swing to blues, with pitstops in funk, electronica and bebop. Next, the midnight sun shines brightly for three nights inCanicule Tropicale July 5 to 7, with spinners Philippe Noël, Don Pedro and DJ Kobal pumping Caribbean, African and Latin American grooves to make things hot-hot-hot… and featuring live painting!
Twice every evening during the Festival, at 10 p.m. and midnight, the Musique au Balmoral series
presented by SiriusXM offers free 45 minute concerts without intermission in Bistro Le Balmoral, where Festival fans can also feed their late-night cravings thanks to the delicious menu on hand. From June 28 to 30, guitaristLou Boustani and his trio invite jazzophiles into a hushed late-night rendezvous. Montreal pianist, singer and composer Steve Amirault takes the reins July 1 and 2 in a solo piano format, one again displaying the masterful, expansive, fresh playing that have made him one of the most accomplished musicians in Canada. Veteran guitarist and singer Dale Boyle returns as a soloist on July 3 and 4 with compositions plumbing the roots of country, blues, rock and folk. The series wraps up with one of the most popular guitarists in Montreal, Thomas Carbou solo; from July 5 to 7, the 8-string specialist navigates between jazz, world music, folk,chanson and electronic music, digging into pieces from his 12-album repertoire, including his latest, Hekátê II.
The Savoy dancefloor will shake with a thousand beats at midnight during theNightcap Heineken series.
This year, the four eccentric lunatics in aRTIST oF tHe yEAR return to the Festival June 28, 29 and 30 with a satchel full of urban electro-rock generated on genuine instruments-guitar, bass and keyboards-to get Montreal dancing to funk grooves into the wee hours. Solidly anchored in a merry multicultural melange, the members of the Heavy Soundz collective whisk us away on a trip powered by crazy rhythms guaranteed to ignite the party, a caliente whirlwind of urban Latin music spiced up with reggae, ska and hip hop, July 1 to 4. From July 5 to 7, Kalmunity concocts 3 different concerts with a base stock fusing poetry, R&B, hip hop, Afrobeats, funk, reggae, soul, flamenco and slam, plenty of improvisation and a good dose of positive energy!